DCR Nashville is providing an array of equipment for American singer-songwriter Halsey’s 2018 touring schedule, including festivals and her continuing “Hopeless Fountain Kingdom World Tour.” Gear includes Claypaky Mythos 2 and Scenius spots, grandMA2 consoles and MDG ATMe haze generators. All of the brands are exclusively distributed in North America by ACT Lighting, Inc. Halsey’s… Read More
NASHVILLE, Tennessee – July 2018 – Celebrating its 47th year, the Country Music Association’s latest CMA Fest drew more than 50,000 country music fans to downtown Nashville this June to experience more than 350 artists performing over four days and nights at Nissan Stadium, Riverfront Stage, Ascend Amphitheater and seven other concert sites. Although the… Read More
My first CMA Fest experience was so unbelievably awesome it is hard to put it all into words. Getting to watch and meet some the amazing artists that I’ve loved since I was young, discover new talent and see everything that goes on behind the scenes was super interesting and fun. The four-day festival was… Read More
If you’re going to ask anyone for advice on how to get a foot in the entertainment industry, ask DCR Nashville’s General Manager John Schirmer. After more than 20 years on tour with artists like the Black Eyed Peas, Bonnie Raitt and Keb’ Mo’, John’s experience is a true testimony of life on the road. While… Read More
NASHVILLE — Country rock singer-songwriter Brantley Gilbert kicked of his Hell on Wheels tour in late September, hitting the road with a complement of Clay Paky Sharpys from Digital Console Rental. The Sharpy beams punctuate the looks created by the LED-dominant lighting rig, which is controlled by a grandMA console. Gilbert has been a long-time… Read More
NASHVILLE — For Brantley Gilbert’s “Let It Ride” spring tour, Digital Console Rental (DCR), based here, is providing a recently acquired Meyer Sound LYON linear sound reinforcement system. FOH engineer Andy Wacker credited the system as both powerful and easy to work with. More details from Meyer Sound (www.meyersound.com): “LYON is extremely smooth and linear,… Read More
Gear Highlights from the Tracy Lawrence Tour
Tracy Lawrence has arguably the most recognizable voice in country music. Supporting a career of more than 27 years, that has yielded 18 number ones and over 14 million albums sold is no small order. With a brand new album coming out November 10th; GOOD OLE DAYS, and a robust touring schedule, slowing down is… Read More
Tracy Lawrence has arguably the most recognizable voice in country music.
Supporting a career of more than 27 years, that has yielded 18 number ones and over 14 million albums sold is no small order. With a brand new album coming out November 10th; GOOD OLE DAYS, and a robust touring schedule, slowing down is not an option for the Tracy Lawrence tour. Whether it be country music’s biggest festivals or the rowdiest honky-tonks around the country, both DCR Nashville and the Tracy Lawrence crew provide world class support for a world class artist.
This past summer has been a busy one to say the least. With a schedule that has provided little opportunity for some R&R, hot and humid temperatures and our fair share of dusty outdoor festivals, it’s safe to say that our gear and crew sustain some abuse. In an effort to provide the best service for our artist Tracy Lawrence, we keep our relationship with DCR Nashville a high priority. Whether we have a show in Nashville or a 3 week long West Coast run, the support from DCR Nashville is unmatched.
Tracy Lawrence plays a wide variety of venues, ranging from clubs to massive festivals. Space both on stage and in our trailer can be at a premium, so packaging and ease of deployment is of the utmost importance for our camp. With space always a factor we choose to use the Midas Pro 2’s because of the punch they provide in a compact package. We choose the DL231’s for their flexibility, to us it is very useful to have independent gain control of each input. This allows monitor engineer, Andy Wacker, to line-check the band without my console needing to be flipped; And for us, that’s a common scenario.
Keeping with the space theme, we give high praise to Meyer for the MJF-210 monitors. Occupying such a small footprint, these monitors are more powerful than some of the PA’s we come in contact with. Their efficiency, in being self powered, eliminates the need for racks of amplifiers that eat up valuable trailer space. With an outstanding frequency response they can keep an artist with an ear like Mr. Lawrence’s happy and at the end of the day thats is why we are all here.
Here’s a quick look at the gear we used:
Midas Pro 2 w/ DL231’s — Front of House and Monitors
Klark Teknik DN9650 — Interface for ProTools Recording